David Bowie - Scary Monsters (And Super Creeps) mp3
|1||It's No Game (Part 1)|
|2||Scream Like A Baby|
|3||Up The Hill Backwards|
|4||Scary Monsters (And Super Creeps)|
|5||Ashes To Ashes|
|8||Because You're Young|
|9||It's No Game (Part 2)|
|BOW LP 2, PL 13647||David Bowie||Scary Monsters (LP, Album)||RCA, RCA||BOW LP 2, PL 13647||UK||1980|
|RCA PL 13647, PL 13647||David Bowie||Scary Monsters (LP, Album)||RCA, RCA||RCA PL 13647, PL 13647||Belgium||1980|
|PL 13647||David Bowie||Scary Monsters (LP, Album, Gat)||RCA||PL 13647||Belgium||1980|
|PL 83647||David Bowie||Scary Monsters (LP, Album, RE)||RCA||PL 83647||Europe||1983|
|AQK1-3647||David Bowie||Scary Monsters (Cass, Album, Dol)||RCA||AQK1-3647||Canada||1980|
- Producer – David Bowie, Tony Visconti
- Written-By – Bowie (tracks: A1 to B2, B4, B5), Verlaine (tracks: B3)
2 panel inlay printed to one side only. Grey cassette with red on-body print.
All tracks published by Bewlay Bros. Music/Fleur Music,
except B3 by Warner Bros. Music Ltd.
℗ 1980 RCA Corporation
Has multiple RCA logos on header tape.
- Price Code: XX
- Phonographic Copyright (p) – RCA Corporation
- Copyright (c) – RCA Ltd.
- Published By – Bewlay Bros. Music
- Published By – Fleur Music
- Published By – Warner Bros. Music Ltd.
Scary Monsters And Super Creeps - David Bowie. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Scary Monsters and Super Creeps, also known simply as Scary Monsters, is the 14th studio album by English singer-songwriter David Bowie, released on 12 September 1980 by RCA Records. It was Bowie's final studio album on the label and his first following the Berlin Trilogy, which consisted of Low, Heroes and Lodger 19771979. Though considered very significant in artistic terms, the trilogy had proven less successful commercially. With Scary Monsters, Bowie achieved what biographer David Buckley. David Bowie. Scary Monsters And Super Creeps. LatinAutor, SOLAR Music Rights Management и другие авторские общества 12. Scary Monsters and Super Creeps is an album by David Bowie. It's No Game No. Up the Hill Backwards. Scary Monsters and Super Creeps. Ashes to Ashes. Teenage Wildlife. Scream Like a Baby. Kingdom Come. Because You're Young. David Bowie: vocals. Categories: Studio Albums. Community content is available under CC-BY-SA unless otherwise noted. Scary Monsters mainly serves as a transitional album in Bowies career. While the album partly serves as Bowies final goodbye to his career up to that point with referential songs, he also questions what opportunities await him in the 80s with others. Meanwhile, other songs like Fashion or Scary Monsters and Super Creeps showcase a more worldly focus conformity with the norm, social anxiety, etc. and these serve as more of a concerned view towards the future rather than a look at the past. David Bowie - Scary Monsters And Super Creeps 1980. IllustrationArtwork: Mick Haggerty Photography: Brian Duffy. Released: September 1980 Label: RCA Producers: David Bowie, Tony Visconti. It's No Game Part 1. Listen online to David Bowie - Scary Monsters and Super Creeps and see which albums it appears on. Scrobble songs and get recommendations on other tracks and artists. Scary Monsters presents David Bowie riveted to lifes passing parade: streamlined moderns, trendies and sycophants in 360 degrees of stark, scarifying Panavision. With its nervous voyeurism, Scary Monsters is more like Aladdin Sane probably Bowies best record than anything else. But because the bleakness that Bowie now witnesses is partially of his own devising, it gives the new LP a heavy, stricken pall. If theres condescension in the artists stance Prometheus aghast at what mortals have made of his gift, theres also genuine concern. And as the chameleon-like singer delivered Scary Monsters and Super Creeps , on Sept. 12, 1980, it seemed possible that the same would be true of Bowie's next decade. After completing his famed Berlin Trilogy of Low , 'Heroes' and Lodger , Bowie decided that his 14th studio album would be recorded at New York City's Power Station, again with help from longtime producer Tony Visconti but without Brian Eno. That meant Eno's penchant for spontaneous songwriting and recording techniques were replaced by a more traditional, highly organized process focused more on deli